Joe,
Arthur, Bobby and John
Raquel
Rivera
It makes sense to think about it
because to see her, is to know her is to love her just the same
that's what the posters say and the calendars and the t-shirts
and the buttons and the fridge magnets and the movies too all
that soft and sexy without any sex that open mouth was tight-lipped
because what do we know about them Monroe's men?
You never told us what it was like
for you
You never told us about the big sloppy
guy the one with the suit that bagged at the elbows and the seat.
Was he an assistant producer or a casting agent was he the one
who jumped under your covers and buried his head up under your
nightie was he the one who hummed and buzzed until you slid up
and down over his face did you worry that you were taking too
long but kept going anyway while the going was so good
Or the one when you just lay there
thinking of nothing in particular while he rocked inside you and
then the rocking caused an itch that only the rocking could scratch
and you waited breath baited what else could you do while he slowly
deliberately scratched that itch for you. Afterwards he rested
on you and chuckled in your ear pleased with his work that one
was
Or the one who made you swoon you
hadn't known it could be true just by taking off your bra and
then not touching your breasts like you expected like you wanted
Or the one who knew as well as you
that it's all in the mind how we take our pleasure
Which was Joe which was Arthur which
was Bobby and John which was the stranger in a desert swimming
pool which was the elevator operator in the red-peaked cap which
was the photographer (or was that one gay?) which was the drug
store delivery boy who was really a man but they called him a
boy because he was black. He brought Nembutal to a hotel room
in Niagara Falls while you waited in a bra and panties and a sheer
slip
It was a sharp edge you walked on
at times you must have felt a fraud inside that armour that gifted
strong womans body helicoptered in for an appearance packed into
red sequin and fox what a goddess they must have hated you a little
because they adored you despite themselves and you would have
known that because you hated you a little too didn't you
That's two bitter pills it must have
taken a lot of Nembutal to swallow that
But the last word goes to you called
in to a phone booth where your next husband waits they said you'd
done the scene with vulgarity what is she a registered nurse you
retorted
Can't stand women you said they're
afraid of women you said
Oh, one more thing your secretary
Hedda said you ought to get out of the business she said it's
not doing you any good she said and I quote Marilyn is constantly
having to test what she hasn't been able to put together yet which
makes sense if you think about it.
Want to read more?
This
poem previously appeared in Total Cardboard issue 5, see www.totalcardboard.com.
Copyright remains with Raquel Rivera.